{"id":5493,"date":"2021-02-12T17:44:48","date_gmt":"2021-02-12T17:44:48","guid":{"rendered":"https:\/\/germanmarcano.com\/germansite\/?page_id=5493"},"modified":"2021-02-12T18:54:18","modified_gmt":"2021-02-12T18:54:18","slug":"cellistas-y-compositores-bibliografia","status":"publish","type":"page","link":"https:\/\/germanmarcano.com\/germansite\/en\/cellistas-y-compositores-bibliografia\/","title":{"rendered":"Cellists and composers"},"content":{"rendered":"<p><section class=\"kc-elm kc-css-10394 kc_row\"><div class=\"kc-row-container  kc-container\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-579973 kc_col-sm-12 kc_column kc_col-sm-12\"><div class=\"kc-col-container\">\n<div class=\"kc-elm kc-css-825130 kc-title-wrap \">\n\n\t<h1 class=\"kc_title\">Ap\u00e9ndice y bibliograf\u00eda<\/h1>\n<\/div>\n<\/div><\/div><\/div><\/div><\/section><section data-kc-fullwidth=\"content\" class=\"kc-elm kc-css-604305 kc_row\"><div class=\"kc-row-container\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-302465 kc_col-sm-12 kc_column kc_col-sm-12\"><div class=\"kc-col-container\"><div class=\"kc-elm kc-css-424016 kc_text_block\"><\/p>\n<p>SOME IMPORTANT INTERACTIONS<\/p>\n<p><strong>BETWEEN CELLISTS AND COMPOSERS<\/strong><\/p>\n<p><strong>IN THE 19<sup>TH<\/sup> CENTURY<\/strong><\/p>\n<table style=\"border: none;\">\n<tbody>\n<tr>\n<th>\n<h3>Composer<\/h3>\n<\/th>\n<th>\n<h3>Cellist<\/h3>\n<\/th>\n<th>\n<h3>Works<\/h3>\n<\/th>\n<\/tr>\n<tr>\n<td><strong>Ludwig van Beethoven (1796) <\/strong><\/td>\n<td><strong>Jean Pierre Duport (1741-1818)<\/strong><\/td>\n<td><strong>2 Sonatas Op. 5<\/strong><\/td>\n<\/tr>\n<tr>\n<td>(1770-1827)<\/td>\n<td>Baron Anton von Gliechenstein<br \/>(1778-1828)<br \/>Joseph Linke<br \/>Anton Kraft (1751-1820)<\/td>\n<td>Sonata in A major Op. 69<br \/>(1809)<br \/>2 Sonatas Op. 102 (1815)<br \/>2 Sonatas Op. 102 (1815)<\/td>\n<\/tr>\n<tr>\n<td>Robert Schumann<br \/>(1810-56)<\/td>\n<td>\n<p>Robert Bockmul (1820-1881)<\/p>\n<p>Johann Grabau (1808-84)<br \/>Friedrich Grutzmacher (1832-1903)<\/p>\n<\/td>\n<td>Cello Concerto Op. 129<br \/>(1850)<br \/>Funf Stucke im Volston<br \/>Op. 102 (1849)<\/td>\n<\/tr>\n<tr>\n<td>Johannes Brahms<br \/>(1833-97)<\/td>\n<td>Robert Hausmann (1852-1909)<\/td>\n<td>Sonata in F major Op. 99<br \/>Concerto for violin and<br \/>cello Op. 102<\/td>\n<\/tr>\n<tr>\n<td>Antonin Dvorak<br \/>(1841-1904)<\/td>\n<td>\n<p>Ludwig Peer (1847-1904)<\/p>\n<p>Hanus Wihan (1855-1920)<br \/>Hanus Wihan<br \/>Victor Herbert (1859-1924)<br \/>Leo Stern (1862-1904)<\/p>\n<\/td>\n<td>Cello Concerto in A<br \/>major (1865)<br \/>Silent Woods (1892)<br \/>Rondo Op. 94 (1892)<br \/>Cello Concerto in B<br \/>minorOp.104 (1895)<\/td>\n<\/tr>\n<tr>\n<td>Pyotr I. Tchaikovski<br \/>(1840-93)<\/td>\n<td>Wilhelm Fitzenhagen (1848-90)<br \/>Anatoly Brandukov (1856-1930)<\/td>\n<td>Variations on Rococo<br \/>Theme Op. 33 (1877)<br \/>Pezzo Capricioso Op. 62 (1889)<\/td>\n<\/tr>\n<tr>\n<td>Fredrick Chopin<br \/>(1810-1849)<\/td>\n<td>\n<p>Josef Merk (1795-1852)<\/p>\n<p>August Franchome (1808-1884)<\/p>\n<\/td>\n<td>Gran Polonaise Brillante<br \/>Op. 3 (1829)<br \/>Grand Duo Concertant sur<br \/>des themes de \u201cRobert le<br \/>Diable\u201d (1832)<br \/>Cello Sonata in G minor<br \/>Op.65 (1847)<\/td>\n<\/tr>\n<tr>\n<td>Max Bruch<br \/>(1838- 1920)<\/td>\n<td>Robert Hausmann (1852-1909)<\/td>\n<td>Kol Nidrei Op. 47<\/td>\n<\/tr>\n<tr>\n<td>Felix Mendelssohn<br \/>(1809-1847)<\/td>\n<td>\n<p>Paul Mendelssohn<\/p>\n<p>Mathieu Wielhorsky (1794-1866)<br \/>Alfredo Piatti (1822-1901)<br \/>Lisa Cristiani (1827-53)<\/p>\n<\/td>\n<td>Variations Concertantes<br \/>Op. 17<br \/>Sonata in D major Op. 58 (1843)<br \/>Cello Concerto*<br \/>Song without words<br \/>Op.109 (1845)<\/td>\n<\/tr>\n<tr>\n<td>Richard Strauss<br \/>(1864-1949)<\/td>\n<td>Friedrich Grutzmacher (1832-1903)<br \/>Hugo Becker (1864-1941)<br \/>Hanus Wihan (1855-1920)<\/td>\n<td>Don Quijote (1897)<br \/>Romance and Humoreske<br \/>Cello Sonata in F<\/td>\n<\/tr>\n<tr>\n<td>Camille Saint- Saens<br \/>(1835-1921)<\/td>\n<td>\n<p>August Tolbecke (1830-1919)<\/p>\n<p>Josef Hollman (1852-1926)<\/p>\n<p>Jules Laserre<\/p>\n<\/td>\n<td>Cello Concerto No. 1 in a<br \/>minor Op. 33 (1872)<br \/>Cello Concerto No. 2 in<br \/>d minor Op. 119 (1902)<br \/>Allegro Appasionatto<br \/>Cello Sonata No 1<\/td>\n<\/tr>\n<tr>\n<td>Anton Rubinstein<\/td>\n<td>Adrien-Francois Servais (1807-1866)<\/td>\n<td>Cello Sonata<\/td>\n<\/tr>\n<tr>\n<td>Edward Elgar<br \/>(1857-1934)<\/td>\n<td>Felix Saldmon (1888-1952)<br \/>Beatrice Harrison (1892-1965)<\/td>\n<td>Cello Concerto Op. 85<br \/>(1919)<\/td>\n<\/tr>\n<tr>\n<td>Edouard Lalo<br \/>(1823-1892)<\/td>\n<td>Adolf Fisher (1847-1891)<\/td>\n<td>Cello Concerto in d<br \/>minor (1876)<\/td>\n<\/tr>\n<tr>\n<td>Edvard Grieg<br \/>(1843-1907)<\/td>\n<td>Jun Grieg<\/td>\n<td>Cello Sonata Op. 36<br \/>(1883)<\/td>\n<\/tr>\n<tr>\n<td>Sergei Rachmaninov<br \/>(1873-1943)<\/td>\n<td>Anatoly Brandukov (1856-1930)<\/td>\n<td>Cello Sonata in G<br \/>minor<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>minor<\/p>\n<h3>BIBLIOGRAPHY CONSULTED<\/h3>\n<h5>Johannes Degen : <u>Le Violoncelle de Salon 2<\/u>. Hug Musikverlage, Zurich,1990<\/h5>\n<p>David Raymond:<u>Virtuoso Cello Music from the Early Romantic Period<\/u>. Notes from Anner Bylsma recording. Music Heritage Society 87-743172. New York. 1988<\/p>\n<p>The Strad Magazine: Vol 107.No 1279<\/p>\n<p><u>The New Grove Dictionary of Music and Musicians.<\/u>Edited by Stanley Sadie. London<\/p>\n<p>MacMillan Publishers. 1980<\/p>\n<p>Dennis Sten: <u>Anton Kraft.<\/u> Notes from Anner Bylsma recording of Concertos by Haydn and Kraft.<\/p>\n<p>Herbert Grossman: <u>Beethoven\u2019 Triple Concerto<\/u>. Notes from Columbia recording MS 6564<\/p>\n<p>Thayer:<u> Life of Beethoven. <\/u>&#8211; Rev. and edited by Elliot Forbes. Princeton, N.J.. Princeton University Press, 1964.<\/p>\n<p><u>\u00a0<\/u><\/p>\n<p>Dimitry Markevitch: <u>Beethoven Sonata Rediscovered<\/u>. Strings Magazine. May-June 93<\/p>\n<p>Dimitry Markevitch: <u>A new Beethoven Cello and Piano Sonata. <\/u>Strings Magazine. September\/October 1990<\/p>\n<p>Robin Golding:<u>A New and Untried Medium<\/u>. Notes from Beethoven\u2019s Cello Sonatas Phillips Classics recording by Yoshiro Tsutsumi. 1994.<\/p>\n<p>Annette Oppermanni:<u> En route to a Singing Instrument<\/u>. Notes from Beethoven\u2019s Cello Sonatas Phillips Classics recording Maurice Gendron. 1985.<\/p>\n<p>John Claphan: <u>Dvorak<\/u>. W.W. Norton &amp; Co. Inc.New York, London 1979<\/p>\n<p>Miroslav Ivanov: <u>In Dvorak\u2019s\u00a0 Footsteps<\/u>. Translated by Stania Slahor. Edited by Leon Karel. The Thomas Jefferson University Press. 1995<\/p>\n<p>Tad Szulc: <u>Chopin in Paris<\/u>. Scribner.1998<\/p>\n<p>John Clapham:<u>Dvorak\u2019s First Cello Concerto<\/u>. Music and Letters. No 37. 1956<\/p>\n<p>Styra Avins:<u>An Undeniable Gift<\/u>. The Strad Magazine. October 96. Vol.107. No 1278<\/p>\n<p>Hans Gal: <u>Johannes Brahms. His Work and Personality<\/u>Alfred A. Knopf. New York. 1963<\/p>\n<p><u>Johannes Brahms and Theodor Billroth: Letters from a musical Friendship<\/u> Translated and edited by Hans Barkan. Norman University of Oklahoma Press. 1957<\/p>\n<p>Karl Geiringer:<u>Brahms: His Life and Work<\/u>. Houghton Mifflin Company. 1936<\/p>\n<p>Michael Musgrave: <u>The Music of Brahms<\/u>. Routledge &amp; Kegan Paul. 1985<\/p>\n<p><u>The work Sheets to Chopin\u2019s Violoncello Sonata<\/u>. Garland Publishing, Inc. New York &amp; London. 1988<\/p>\n<p>Elizabeth Cowling: <u>The Cello<\/u>.Charles Scribner\u2019s Sons. New York. 1975<\/p>\n<p>Steven Isserlis: <u>Tchaikovski, Glazunov, Cui, Rimski Korsakov Music for Cello and Orchestra<\/u>. Program notes from his recording.<\/p>\n<p>Steven Isserlis: <u>The Schumann Cello Works<\/u>. Program notes from his recording.<\/p>\n<p>Andrew Keener: <u>Original Rococo<\/u>. Strad Magazine<\/p>\n<h5>David Brown: Tchaikovski. The Crisis Begins. Gollanz. London.<\/h5>\n<p><u>\u00a0<\/u><\/p>\n<p>Alan RobeWalker<u>: Robert Schumann: the man and his music<\/u>.Edited by Alan Walker;\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 [contributors] Frank Cooper [and others]. &#8212; London, Barrie and Jenkins, 1972.<\/p>\n<p><u>\u00a0<\/u><\/p>\n<p>Lev Ginsburg: <u>History of the Violoncello<\/u>.Paganiniana New Jersey, 1983<\/p>\n<p>Steven De\u2019ak:<u> David Popper<\/u>. Paganiniana. New Jersey,\u00a0 1990<\/p>\n<p>Dimitry Markevitch: <u>Cello Story<\/u>. Summy-Birchard Music. New Jersey, 1984<\/p>\n<p>Margaret Campbell: <u>The Great Cellists<\/u>. Trafalgar Square Publishing. Great Britain, 1988<\/p>\n<p>Elias Arizcuren: <u>El Violonchelo<\/u>. Labor. Barcelona, 1992<\/p>\n<p>Sallie Ann Biggar:<u>The Duport Brothers<\/u>. Masters Dissertation. The American University, Washington D.C, 1973<\/p>\n<p>William S. Newman: <u>The Sonata Since Beethoven<\/u>. Third edition. W.W. Norton&amp; Company. New York, London, 1983<\/p>\n<p>George Bozarth: <u>Lieder Nicht von Johannes Brahms<\/u>. Strad Magazine. Vol 99. Number 1174. February 1980.<\/p>\n<p><a href=\"#_ftnref1\" name=\"_ftn1\">*<\/a> According to Markevitc it was lost in the mail when Mendelssohn sent it to Piatti<\/p>\n<p>\n<\/div><\/div><\/div><\/div><\/div><\/section><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-full-width.php","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-5493","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/germanmarcano.com\/germansite\/en\/wp-json\/wp\/v2\/pages\/5493","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/germanmarcano.com\/germansite\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/germanmarcano.com\/germansite\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/germanmarcano.com\/germansite\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/germanmarcano.com\/germansite\/en\/wp-json\/wp\/v2\/comments?post=5493"}],"version-history":[{"count":6,"href":"https:\/\/germanmarcano.com\/germansite\/en\/wp-json\/wp\/v2\/pages\/5493\/revisions"}],"predecessor-version":[{"id":5499,"href":"https:\/\/germanmarcano.com\/germansite\/en\/wp-json\/wp\/v2\/pages\/5493\/revisions\/5499"}],"wp:attachment":[{"href":"https:\/\/germanmarcano.com\/germansite\/en\/wp-json\/wp\/v2\/media?parent=5493"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}